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Reviews

Long-form reviews of contemporary art exhibitions across Europe.

NOTITLE 03 exhibition at Nomad St. Moritz 2025, inside the former Klinik Gut.

The Clinic That Became a Fair

Nomad St. Moritz 2025 at the former Klinik Gut, reviewed. Pergay tables in a patient dining room, a Neapolitan pop-up in the old hospital canteen, and a fair that used its building as the point.
By Katya Pranitskaya · Klinik Gut (former), St. Moritz, St. Moritz
Design Miami/ Paris 2024 at L'hôtel de Maisons, the 18th-century mansion in Saint-Germain-des-Prés once home to Karl Lagerfeld.

Lagerfeld's House

Design Miami/ Paris 2024 at L'hôtel de Maisons, reviewed. Louis Vuitton's Campana debut, a million-euro Prouvé sale, and a room of Jean Touret that won the week.
By Katya Pranitskaya · L'hôtel de Maisons, Saint-Germain-des-Prés, Paris
Aerial view of Art Basel Paris 2024 under the glass roof of the Grand Palais.

Paris at the Grand Palais

Art Basel Paris's debut at the refurbished Grand Palais. Under a glass nave, with 195 galleries and a Premise sector that mattered, Paris finally had a fair that belonged to it.
By Katya Pranitskaya · Grand Palais, Paris
Cloister of the Monastery of Sant Cugat del Vallès, Catalonia.

Twelve Cities, Some Art

Manifesta 15 Barcelona Metropolitana, spread across twelve municipalities, reviewed. The venues did most of the heavy lifting. A few rooms addressed Catalonia and those were the ones worth the trip.
By Katya Pranitskaya · Barcelona metropolitan area, Barcelona
Installation view, Craft x Tech exhibition, 2024.

Fifty Coats of Lacquer

Craft x Tech's Curio at Design Miami/ Basel paired six international designers with Tohoku artisans. Sabine Marcelis with Kawatsura-shikki, Ini Archibong with Tsugaru-nuri. A review.
By Emilio Carrara · Craft x Tech Curio, Design Miami/ Basel, Basel
Mario Ceroli, Progetto per la pace (1968), installed in the Unlimited sector of Art Basel 2024.

Still Basel

A Basel of quieter sales and better hanging. The speculative middle got taken down to the basement. Unlimited still delivered.
By Emilio Carrara · Messe Basel, Halls 1 & 2, Basel
Ben Storms' works appearing to float on the water-covered floor of the Objects with Narratives booth at Design Miami/ Basel 2024.

A Floor of Water

The Brussels gallery Objects with Narratives debuted at Design Miami/ Basel with a solo show by Ben Storms. The floor of the booth was under a shallow layer of water. Everything seemed to be floating. Most of it wasn't.
By Katya Pranitskaya · Objects with Narratives booth, Design Miami/ Basel, Basel
Gaetano Pesce tribute installation in the entrance hall of Design Miami/ Basel 2024, presented by Friedman Benda, Pulp Galerie and downtown+.

Pesce in the Entrance

Design Miami/ Basel's 18th edition opened with a Pesce memorial in the entrance hall. Inside, Ben Storms flooded his floor, Maxime Flatry made a booth of air, and Craft x Tech brought fifty coats of lacquer from Akita.
By Emilio Carrara · Design Miami/ Basel, Basel
Maurizio Cattelan's mural of bare feet on the exterior facade of the Casa di Reclusione Femminile on Giudecca, the Holy See pavilion at the 60th Venice Biennale.

The Pavilion Inside a Working Prison

The Holy See's pavilion at the 60th Biennale, With My Eyes, was staged inside the Casa di Reclusione Femminile on Giudecca. Pope Francis came. So did a small and necessary collapse of the usual critical distance.
By Katya Pranitskaya · Casa di Reclusione Femminile, Giudecca, Venice
Archie Moore's hand-drawn chalk genealogical chart etched across the black walls of the Australian Pavilion at the 60th Venice Biennale.

The Chalk Lasts Longer Than You Do

On Archie Moore's Australian Pavilion at the 60th Venice Biennale, the first to win the Golden Lion. 65,000 years of family, chalked onto a wall that will be painted over in November.
By Emilio Carrara · Australian Pavilion, Giardini, Venice
Mataaho Collective's Takapau, a woven canopy of polyester tie-down straps suspended at the entrance of the Arsenale, 60th Venice Biennale 2024.

A Biennale of Guests

Notes from the 60th Venice Biennale. Mataaho on the ceiling, Archie Moore in chalk, the Holy See inside a prison, and the long argument about whether "foreigner" can carry this much weight.
By Katya Pranitskaya · 60th International Art Exhibition, Venice
Installation view of the Bawwaba section, Sanación / Healing, curated by Emiliano Valdés at Art Dubai 2024.

Healing, and the Kitchen

Bawwaba at Art Dubai 2024, under Emiliano Valdes, themed Sanación. A review centred on Mirna Bamieh's working Palestinian kitchen at NIKA Project Space.
By Emilio Carrara · Bawwaba section, Art Dubai, Dubai