Reviews
Long-form reviews of contemporary art exhibitions across Europe.
The Clinic That Became a Fair
Nomad St. Moritz 2025 at the former Klinik Gut, reviewed. Pergay tables in a patient dining room, a Neapolitan pop-up in the old hospital canteen, and a fair that used its building as the point.
By Katya Pranitskaya · Klinik Gut (former), St. Moritz, St. Moritz
Lagerfeld's House
Design Miami/ Paris 2024 at L'hôtel de Maisons, reviewed. Louis Vuitton's Campana debut, a million-euro Prouvé sale, and a room of Jean Touret that won the week.
By Katya Pranitskaya · L'hôtel de Maisons, Saint-Germain-des-Prés, Paris
Paris at the Grand Palais
Art Basel Paris's debut at the refurbished Grand Palais. Under a glass nave, with 195 galleries and a Premise sector that mattered, Paris finally had a fair that belonged to it.
By Katya Pranitskaya · Grand Palais, Paris
Twelve Cities, Some Art
Manifesta 15 Barcelona Metropolitana, spread across twelve municipalities, reviewed. The venues did most of the heavy lifting. A few rooms addressed Catalonia and those were the ones worth the trip.
By Katya Pranitskaya · Barcelona metropolitan area, Barcelona
Fifty Coats of Lacquer
Craft x Tech's Curio at Design Miami/ Basel paired six international designers with Tohoku artisans. Sabine Marcelis with Kawatsura-shikki, Ini Archibong with Tsugaru-nuri. A review.
By Emilio Carrara · Craft x Tech Curio, Design Miami/ Basel, Basel
Still Basel
A Basel of quieter sales and better hanging. The speculative middle got taken down to the basement. Unlimited still delivered.
By Emilio Carrara · Messe Basel, Halls 1 & 2, Basel
A Floor of Water
The Brussels gallery Objects with Narratives debuted at Design Miami/ Basel with a solo show by Ben Storms. The floor of the booth was under a shallow layer of water. Everything seemed to be floating. Most of it wasn't.
By Katya Pranitskaya · Objects with Narratives booth, Design Miami/ Basel, Basel
Pesce in the Entrance
Design Miami/ Basel's 18th edition opened with a Pesce memorial in the entrance hall. Inside, Ben Storms flooded his floor, Maxime Flatry made a booth of air, and Craft x Tech brought fifty coats of lacquer from Akita.
By Emilio Carrara · Design Miami/ Basel, Basel
The Pavilion Inside a Working Prison
The Holy See's pavilion at the 60th Biennale, With My Eyes, was staged inside the Casa di Reclusione Femminile on Giudecca. Pope Francis came. So did a small and necessary collapse of the usual critical distance.
By Katya Pranitskaya · Casa di Reclusione Femminile, Giudecca, Venice
The Chalk Lasts Longer Than You Do
On Archie Moore's Australian Pavilion at the 60th Venice Biennale, the first to win the Golden Lion. 65,000 years of family, chalked onto a wall that will be painted over in November.
By Emilio Carrara · Australian Pavilion, Giardini, Venice
A Biennale of Guests
Notes from the 60th Venice Biennale. Mataaho on the ceiling, Archie Moore in chalk, the Holy See inside a prison, and the long argument about whether "foreigner" can carry this much weight.
By Katya Pranitskaya · 60th International Art Exhibition, Venice
Healing, and the Kitchen
Bawwaba at Art Dubai 2024, under Emiliano Valdes, themed Sanación. A review centred on Mirna Bamieh's working Palestinian kitchen at NIKA Project Space.
By Emilio Carrara · Bawwaba section, Art Dubai, Dubai