December
Quiet month, mostly. Milan picks up the slack with two openings that matter.
December runs thin on openings, which suits the season. Fondazione Prada takes over the Osservatorio with Hito Steyerl. Lafayette Anticipations reopens its workshop programme. Centre Pompidou, now closed for its long renovation, decants 300 drawings into the Grand Palais. The gallery dinners happen; the walls mostly wait.
Hito Steyerl: The Island
Hito Steyerl
Two floors above the Galleria Vittorio Emanuele II, Steyerl builds a site-specific piece around flooding and four interlocking stories (Lucciole, The Artificial Island, The Birth of Science Fiction, Flash!). A new 26-minute HD projection anchors it. The origin: Darko Suvin, age eight, projecting himself into Flash Gordon's Trip to Mars during a 1941 bomb raid in Zagreb. On the way out, objects and interviews continue the argument.
Also this month
Wayne Thiebaud: American Still Life (final weeks)
Wayne Thiebaud
Cakes, lent for the first time out of Washington, stays on the third floor through the holidays. Four Pinball Machines hangs across from it. Thiebaud, first UK museum show, closes in mid-January. See before the panettone wears off.
Nan Goldin: This Will Not End Well (continuing)
Nan Goldin
Still the best reason to be in Milan in December. Sirens plays on a loop in Wardé's freestanding pavilion; the Soundwalk Collective piece, Bleeding, greets you at the threshold. Go weekday afternoon, stay two hours.