November
Post-Frieze-Paris hangover, Grand Palais packed with photographers, Basel in polka dots.
Paris ran the month. Fondation Louis Vuitton gave over every floor to Richter, the Bourse installed On Kawara's readers in the auditorium, and Paris Photo filled the renovated glass roof. Basel answered with Kusama. London, for once, played second fiddle, though the Tate opened its Turner against Constable on the last Thursday.
Gerhard Richter
Gerhard Richter
Every floor, every gallery. 275 works laid out across 34 rooms, from 1962 up to the ink-cloud drawings of last year. Uncle Rudi is here. The October 18, 1977 cycle is here. The Cage paintings hang where they were always meant to. Curated by Dieter Schwarz and Nicholas Serota, the show won't be matched in scale in Richter's lifetime and doesn't pretend otherwise.
Also this month
On Kawara: One Million Years (Past and Future)
On Kawara
Two readers, a man and a woman, take turns counting years out loud inside the glass-walled Auditorium. Past toward present, present into future. The 1860s vitrines around the rotunda hold Today paintings and their clipped newspapers. Slow viewing rewarded.
Paris Photo 2025
First full edition under the restored glass vault. 179 galleries, 43 publishers, the Emergence sector upstairs putting Bérangère Fromont and Louis Porter alongside established names. Jackson Fine Art pulled unseen silver prints from Sally Mann's At Twelve. Cob Gallery took a booth for Jack Davison's gravures.
Yayoi Kusama
Yayoi Kusama
Switzerland's first major Kusama, running through November with over 300 works. Narcissus Garden back on the pond, 130-odd pieces never before shown in Europe, two new Infinity Mirrored Rooms commissioned for the occasion. The park dots itself.
Nan Goldin: This Will Not End Well
Nan Goldin
Eight slideshows in eight buildings, each a separate Hala Wardé pavilion inside the Navate. Sisters, Saints, Sibyls sits in a Cubo whose 20-metre ceiling recalls La Salpêtrière. The Ballad runs in its 2022 version. New to Europe: You Never Did Anything Wrong, her first abstract work, and Stendhal Syndrome after Ovid.
Turner and Constable: Rivals and Originals
170 paintings and works on paper for the 250th anniversary of both births. Turner's 1835 Burning of the Houses of Lords and Commons, absent from Britain for a century, hangs near Constable's The White Horse. Sold out on opening weekend. Constable's sketching chair is in the vitrine.