May
Venice opens its architecture biennale, and the rest of Europe gets out of the way.
Carlo Ratti's Intelligens biennale takes over May, opening on the 10th and running until late November. Everything else this month moves around it. We flag the Arsenale, a few pavilions, and a Do Ho Suh show in London that would lead most other months.
Intelligens. Natural. Artificial. Collective.
Carlo Ratti (curator)
Ratti's AI-leaning edition, spread across the Giardini, the Arsenale and Forte Marghera, with 66 national participations. The Central Pavilion is shut for renovation, so the Arsenale does most of the curatorial work. The exhibition reads as an essay on intelligence in all its kinds, technical, biological, collective. Bahrain's Heatwave pavilion, a passive-cooling room by Andrea Faraguna, won the Golden Lion for best national participation. Diller Scofidio + Renfro's Canal Café, which filters lagoon water into espresso, took the international Golden Lion. The British Pavilion's Geology of Britannic Repair, curated by Cave_bureau with Kathryn Yusoff and Owen Hopkins, won a Special Mention.
Also this month
Heatwave
Andrea Faraguna (curator)
A square-shaped ceiling hangs on chains from a central column, cooled by ducted air drawn from a canal-facing window. In Bahrain the system would run off a geothermal well; in the Arsenale it runs mechanical. Traditional Gulf cooling translated into a calibrated microclimate. The jury called it a viable proposal for extreme heat and gave it the Golden Lion.
Canal Café
Diller Scofidio + Renfro
Water is pulled from the lagoon, run through a mini wetland of salt-tolerant halophytes and a reverse-osmosis rig, then pulled as espresso by a Michelin-starred chef for 1.20 euro a shot. Part bar, part lab. The Golden Lion jury praised it as a proposal for how to live on water; the barristas were mostly praised for the crema.
GBR — Geology of Britannic Repair
Kabage Karanja, Stella Mutegi (Cave_bureau), Kathryn Yusoff, Owen Hopkins
A UK-Kenya collaboration centred on the Great Rift Valley, reframing architecture as a practice of repair rather than extraction. The installations insist on the ground, on what colonial geology took from it, and on what sits there now. Special Mention from the jury.
The Genesis Exhibition: Do Ho Suh — Walk the House
Do Ho Suh
The Korean-born, London-based artist's first London survey in a generation. The draw is the fabric architectures, translucent 1:1 replicas of rooms Suh has lived in, threaded through the galleries. Nest/s (2024) is new and the one the wall texts won't let you forget. You walk slowly.